"A [spatial, temporal] work had only to be exhibited in a gallery and then written about and reproduced as a photograph in an art magazine. Then this record of the no longer extant installation, along with accretions of information after the fact, became the basis for its fame, and to a large extent its economic value."

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In the long run I don't think anyone can overlook these images of hunger, that people can ignore all my pictures - no, definitely not. And even if only a vague impression remains, in time this will create a basis that will help people distinguish between what is good and what is objectionable.

— Werner Bischof